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Gabriel Garcia Marquez, Nobel laureate, dies at 87

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ALTERNATIVE CROP OF XLAT301 – FILE – This undated file photo of Colombian Nobel laureate Gabriel Garcia Marquez is seen in an unknown location. Marquez died Thursday April 17, 2014 at his home in Mexico City. Garcia Marquez’s magical realist novels and short stories exposed tens of millions of readers to Latin America’s passion, superstition, violence and inequality. (AP Photo/Hamilton, File)

ALTERNATIVE CROP OF XLAT301 – FILE – This undated file photo of Colombian Nobel laureate Gabriel Garcia Marquez is seen in an unknown location. Marquez died Thursday April 17, 2014 at his home in Mexico City. Garcia Marquez’s magical realist novels and short stories exposed tens of millions of readers to Latin America’s passion, superstition, violence and inequality. (AP Photo/Hamilton, File)

FILE – In this May 30, 2007 file photo, Colombia’s Literature Nobel Prize winner Gabriel Garcia Marquez sticks out his tongue to photographers upon his arrival on a train to Aracataca, his hometown in northeastern Colombia. At right is his wife Mercedes Barcha who accompanied the writer on his first visit to his hometown in 25 years. Marquez died Thursday April 17, 2014 at his home in Mexico City. (AP Photo/William Fernando Martinez, File)

FILE – In this March 6, 2014 file photo, Colombian Nobel Literature laureate Gabriel Garcia Marquez greets fans and reporters outside his home on his 87th birthday in Mexico City. Marquez died Thursday April 17, 2014 at his home in Mexico City. (AP Photo/Eduardo Verdugo, File)

FILE – In this Dec. 8, 1982 file photo, Gabriel Garcia Marquez receives the literature award from King Carl Gustaf at the Concert Hall in Stockholm, Sweden. Marquez died Thursday April 17, 2014 at his home in Mexico City. (AP Photo/Bjorn Elgstrand, Pool, File)

FILE – In this Dec. 8, 1982 file photo, Nobel laureate Gabriel Garcia Marquez shows his Nobel Prize medal after he delivered his Nobel Lecture in Stockholm, Sweden. Marquez died Thursday April 17, 2014 at his home in Mexico City. (AP Photo/Bjorn Elgstrand, Pool, File)

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MEXICO CITY (AP) — Nobel laureate Gabriel Garcia Marquez crafted intoxicating fiction from the fatalism, fantasy, cruelty and heroics of the world that set his mind churning as a child growing up on Colombia’s Caribbean coast.

One of the most revered and influential writers of his generation, he brought Latin America’s charm and maddening contradictions to life in the minds of millions and became the best-known practitioner of “magical realism,” a blending of fantastic elements into portrayals of daily life that made the extraordinary seem almost routine.

In his works, clouds of yellow butterflies precede a forbidden lover’s arrival. A heroic liberator of nations dies alone, destitute and far from home. “A Very Old Man With Enormous Wings,” as one of his short stories is called, is spotted in a muddy courtyard.

Garcia Marquez’s own epic story ended Thursday, at age 87, with his death at his home in southern Mexico City, according to two people close to the family who spoke on condition of anonymity out of respect for the family’s privacy.

Known to millions simply as “Gabo,” Garcia Marquez was widely seen as the Spanish language’s most popular writer since Miguel de Cervantes in the 17th century. His extraordinary literary celebrity spawned comparisons with Mark Twain and Charles Dickens.

His flamboyant and melancholy works — among them “Chronicle of a Death Foretold,” ”Love in the Time of Cholera” and “Autumn of the Patriarch” — outsold everything published in Spanish except the Bible. The epic 1967 novel “One Hundred Years of Solitude” sold more than 50 million copies in more than 25 languages.

“A thousand years of solitude and sadness because of the death of the greatest Colombian of all time!” Colombian President Juan Manuel Santos said on Twitter. “Such giants never die.”

With writers including Norman Mailer and Tom Wolfe, Garcia Marquez was also an early practitioner of the literary nonfiction that would become known as New Journalism. He became an elder statesman of Latin American journalism, with magisterial works of narrative non-fiction that included the “Story of A Shipwrecked Sailor,” the tale of a seaman lost on a life raft for 10 days. He was also a scion of the region’s left.

Shorter pieces dealt with subjects including Venezuela’s larger-than-life president, Hugo Chavez, while the book “News of a Kidnapping” vividly portrayed how cocaine traffickers led by Pablo Escobar had shred the social and moral fabric of his native Colombia, kidnapping members of its elite. In 1994, Garcia Marquez founded the Iberoamerican Foundation for New Journalism, which offers training and competitions to raise the standard of narrative and investigative journalism across Latin America.

But for so many inside and outside the region, it was his novels that became synonymous with Latin America itself.

“The world has lost one of its greatest visionary writers — and one of my favorites from the time I was young,” President Barack Obama said.

When he accepted the Nobel prize in 1982, Garcia Marquez described the region as a “source of insatiable creativity, full of sorrow and beauty, of which this roving and nostalgic Colombian is but one cipher more, singled out by fortune. Poets and beggars, musicians and prophets, warriors and scoundrels, all creatures of that unbridled reality, we have had to ask but little of imagination, for our crucial problem has been a lack of conventional means to render our lives believable.”

Gerald Martin, Garcia Marquez’s semi-official biographer, told The Associated Press that “One Hundred Years of Solitude” was “the first novel in which Latin Americans recognized themselves, that defined them, celebrated their passion, their intensity, their spirituality and superstition, their grand propensity for failure.”

The Spanish Royal Academy, the arbiter of the language, celebrated the novel’s 40th anniversary with a special edition. It had only done so for just one other book, Cervantes’ “Don Quijote.”

Like many Latin American writers, Garcia Marquez transcended the world of letters. He became a hero to the Latin American left

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